Under the Greenwood Tree, Thomas Hardy

It was a time when injustice was met by a lust for vengeance, and rarely was a distinction made between the innocent and the guilty. It was published in weekly installments from April 1859 to November 1859 in Dickens's new literary periodical titled 'All the Year Round'. This novel is regarded as one of Dickens's most popular and most innovative works.

The Castle is the story of K., the unwanted Land Surveyor who is never to be admitted to the Castle nor accepted in the village, and yet cannot go home. As he encounters dualities of certainty and doubt, hope and fear, and reason and nonsense, K.'s struggles in the absurd, labyrinthine world where he finds himself seem to reveal an inexplicable truth...

Alone in a strange land, Viola disguises herself as a male servant, Cesario, in order to work for the Duke Orsino. Orsino is in love with Lady Olivia, but it is Cesario that Olivia falls for. 

Kur talebanët morën kontrollin e luginës Suat në Pakistan, një vajzë ngriti zërin e saj. Malala Yousafzai refuzoi që ta bënin të heshtte dhe luftoi për të drejtën e saj për t'u arsimuar. Në tetor të vitit 2012, kur ishte pesëmbëdhjetë vjeç, Malala pothuaj e pagoi këtë gjë me jetën e saj.

Jacob's Room (1922), Woolf's third novel, marks the bold affirmation of her own voice and search for a new form to express her view that `the human soul ... orientates itself afresh every now & then. It is doing so now. No one can see it whole therefore.' Jacob's life is presented in subtle, delicate and tantalising glimpses, the novel's gaps and...

Featuring some of the best-known and best-loved lines in the history of poetry (‘Shall I compare thee to a summer’s day?’, ‘Love is not love which alters when it alteration finds’), these evocative sonnets explore passion, the fleeting nature of beauty and the essence of true and everlasting love.

This novel is a highly autobiographical account of the adolescence of Stephen Dedalus, who reappears in Ulysses, and who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his background in late 19th century Ireland.

 Rudolf must foil the plans of the king’s brother, Prince Michael, and when the king is kidnapped and taken to a castle in Zenda, Rudolf must overcome the plots of the prince’s mistress and his henchman in order to rescue him.

The fiery Paul Emanuel, another teacher in the school, proves to be her saviour when he recognizes her passionate nature in spite of the many barriers she has erected to hide it.

Humble and lowly, a young Fanny Price goes to live with her wealthy Aunt and Uncle at their grand house, Mansfield Park. Growing up with her privileged and spoilt cousins, the Bertrams, she lives in the shadows of their glamorous lives, but manages to find an ally in her cousin, Edmund.

Ivanhoe returns from the Crusades in secret and is joined in his plans to re-establish Richard on the thrown by the moneylender Isaac of York, his daughter Rebecca, the mysterious Black Knight, Lady Rowena, and Robin Hood and his merry men.

‘How fleeting are the wishes and efforts of man! how short his time! and consequently how poor will his products be, compared with those accumulated by nature during whole geological periods.’

Jenny, whose partial deafness allows her a role as an observer of the rest, Anne who Denis falls for rather hard but who prefers Gombauld and Mary whose virginity has become a burden she feels she must rid herself of – but who?

The local doctor and squire decide to set off to find the island, taking Jim with them as the cabin-boy, but they soon discover that the surviving pirates are also keen to locate the treasure. Among the colourful characters is Long John Silver who, with his missing leg and his talking parrot, has entered into popular folklore.

'Of what a mistake were you guilty in marrying a Man of his age! - just old enough to be formal, ungovernable and to have the Gout - too old to be agreable, and too young to die.'

But it is his symbolic art that projects these things in a vision that embraces black comedy, cosmic farce, and tragic ruin. In a unique creative experiment, Dickens divides the narrative between his heroine, Esther Summerson, who is psychologically interesting in her own right, and an unnamed narrator whose perspective both complements and challenges hers.