The Legend of Sleepy Hollow and Other Stories, Washington Irving

Featuring tales about love, history, tragedy and comedy as well as fables and fairy tales, this edition remains a well-loved collection of exotic and evocative stories. Fantastical and curious customs are bought to life by Burton’s translation in stories such as ‘The Lovers of Bassorah’, ‘The Concubine of Al-Maamun’ and ‘The Hunchback’s Tale’.

On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships – love, marriage, family, friendship – really worth? And how might they be otherwise?

These witty vignettes, set in Charlotte Brontë's imaginary world of Angria, feature debauched aristocrats, high-society courtesans and the rakish, brooding hero Zamorna, and offer a fascinating insight into Brontë's early writing.

But it is his symbolic art that projects these things in a vision that embraces black comedy, cosmic farce, and tragic ruin. In a unique creative experiment, Dickens divides the narrative between his heroine, Esther Summerson, who is psychologically interesting in her own right, and an unnamed narrator whose perspective both complements and challenges hers.

With an Introduction and Notes by Doreen Roberts, Rutherford College, University of Kent at Canterbury From its first publication in 1719, Robinson Crusoe has been printed in over 700 editions. It has inspired almost every conceivable kind of imitation and variation, and been the subject of plays, opera, cartoons, and computer games.

To Have and Have Not is the dramatic story of Harry Morgan, an honest man who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who throng the region, and involve him in a strange and unlikely love affair.

Ivanhoe returns from the Crusades in secret and is joined in his plans to re-establish Richard on the thrown by the moneylender Isaac of York, his daughter Rebecca, the mysterious Black Knight, Lady Rowena, and Robin Hood and his merry men.

In the most renowned onstage law scene of all time, Portia proves herself one of Shakespeare’s most cunning heroines, disguising herself as a lawyer and vanquishing Shylock’s claims; meanwhile, Shylock triumphs on a humanitarian level with his plea for tolerance: ‘Hath not a Jew eyes?’

Though they grow up and marry other people, theirs is a fierce love that cannot be tamed by the laws of society or cooled by the passage of time. Bronte's gothic tale explores the irresistible and dangerous nature of a love that knows no limits as it consumes the two people at its core.

Desperate for an heir and embarrassed by his inability to satisfy his wife, Clifford suggests that she have an affair. Constance, troubled by her husband’s words, finds herself involved in a passionate relationship with their gamekeeper, Oliver Mellors.

Through wordplay, parody and logical and philosophical puzzles, Carroll engenders a variety of sub-texts, teasing, ominous or melancholy. For all the surface playfulness there is meaning everywhere. The author reveals himself in glimpses.

But as she nears thirty, her foothold becomes precarious; a poor girl with expensive tastes, she needs a husband to preserve her social standing, and to maintain her in the luxury she has come to expect. Whilst many have sought her, something - fastidiousness or integrity- prevents her from making a 'suitable' match.

The Mill on the Floss, based on George Eliot's own experiences of provincial life, is a masterpiece of ambiguity in which moral choice is subjected to the hypocrisy of the Victorian age.

A selection of Austen's dark and hilarious early writings - featuring murder, drunkenness, perjury, theft, poisoning, women breaking out of prison, men forging wills and babies biting off their mothers' fingers..

Kur talebanët morën kontrollin e luginës Suat në Pakistan, një vajzë ngriti zërin e saj. Malala Yousafzai refuzoi që ta bënin të heshtte dhe luftoi për të drejtën e saj për t'u arsimuar. Në tetor të vitit 2012, kur ishte pesëmbëdhjetë vjeç, Malala pothuaj e pagoi këtë gjë me jetën e saj.

'We said there warn't no home like a raft, after all. Other places do seem so cramped up and smothery, but a raft don't. You feel mighty free and easy and comfortable on a raft.'