Antigone, Sophocles

But I would rather have it bent and dulled and know I had to put it on the grindstone and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining, and nothing to say, or smooth and well-oiled in the closet, but unused.'

George Orwell's best-known novels, Animal Farm, describing a revolution that goes horribly wrong, and Nineteen Eighty-Four, portraying a world where human freedom has been crushed, are two of the most famous, well-quoted and influential political satires ever written.

To the Lighthouse konsiderohet një nga pikat e referimit të modernizmit dhe romani më autobiografik mes romaneve të Virginia Woolf. Ai eksploron temat e humbjes, strukturës klasore dhe ccështjen e perceptimit, në një memorial shumë të bukur të asaj që është humbur, por nuk është harruar. Ky libër është përzgjedhur si një nga 100 romanet më të mira të...

Taking young Harriet Smith under her wing, Emma sets her sights on finding a suitable match for her friend. Chided for her mistakes by old friend Mr Knightley, it is only when Harriet starts to pursue her own love interests that Emma realises the true hidden depths of her own heart.

On his travels he continues to meet others who force him to reflect on human behaviour - the giants of Brobdingnag, the Houyhnhnms and the Yahoos. In this scathing satire on the politics and morals of the 18th Century, Swift's condemnation of society and its institutions still resonates today.

 Rudolf must foil the plans of the king’s brother, Prince Michael, and when the king is kidnapped and taken to a castle in Zenda, Rudolf must overcome the plots of the prince’s mistress and his henchman in order to rescue him.

The lights of Hollywood do little to distract Cecelia as she watches Monroe Stahr, wunderkind studio executive and object of her desire, descend into a reckless and ardent love affair with an auspicious starlet – an affair that threatens to destroy his reign as the Silver Screen’s golden boy. 

The Mill on the Floss, based on George Eliot's own experiences of provincial life, is a masterpiece of ambiguity in which moral choice is subjected to the hypocrisy of the Victorian age.

Griffin, a stranger, arrives at the local inn of an English village, entirely shrouded in bandages. Forbidding and unfriendly, he confines himself to his room. Driven away by the villagers and turning to an old friend for help, Griffin reveals that he has discovered how to make himself invisible, and plans to use his condition for treacherous ends.

While staying in Bath, Catherine meets Henry Tilney and his sister Eleanor who invite her to their family estate, Northanger Abbey. A fan of Gothic Romance novels, naive Catherine is soon letting her imagination run wild in the atmospheric abbey, fuelled by her friendship with the vivacious Isabella Thorpe.

Set in the closing months of World War II in an American bomber squadron off the coast of Italy, Catch-22 is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never even met keep trying to kill him.

Set in fictitious Coketown, England during the Industrial Revolution of the 1850s, Dickens wished to expose the enormous gulf between the rich and poor through his writing. In Hard Times, the social and moral purpose of his work is at its most evident.

Simenon explores the complexity of parent child relationships and the bitterness of things left unsaid in this stark, confessional piece.

Desperate for an heir and embarrassed by his inability to satisfy his wife, Clifford suggests that she have an affair. Constance, troubled by her husband’s words, finds herself involved in a passionate relationship with their gamekeeper, Oliver Mellors.

Though they grow up and marry other people, theirs is a fierce love that cannot be tamed by the laws of society or cooled by the passage of time. Bronte's gothic tale explores the irresistible and dangerous nature of a love that knows no limits as it consumes the two people at its core.

On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships – love, marriage, family, friendship – really worth? And how might they be otherwise?