When four young lovers flee from Athens and become lost in an enchanted wood, they stumble into a fairy world where King Oberon, and Queen Titania, are feuding over ownership of a young Indian prince. 

'Presently I heard a slight groan, and I knew it was a groan of mortal terror ... the low stifled sound that arises from the bottom of the soul.'

'If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast'

Featuring a personal Foreword by Patrick Hemingway, Ernest’s sole surviving son, and an Introduction by grandson of the author, Seán Hemingway, editor of this edition, the book also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son, Jack, and his first wife Hadley. Also included...

"I did have hallucinations, but did they harm anyone? Who did they harm, that's what I'd like to know!'

This novel is a highly autobiographical account of the adolescence of Stephen Dedalus, who reappears in Ulysses, and who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his background in late 19th century Ireland.

Autobiographical in tone, Joyce’s tale of Stephen Dedalus’ journey into adulthood explores the intellectual and moral development of an artist as he struggles to overcome the ingrained Catholic consciousness of his childhood – a family life governed by Irish history, religion and politics. 

‘Three Guineas’, Woolf’s most impassioned polemic, came almost a decade later and broke new ground by challenging the very notions of war and masculinity.

'She decided she would teach him to speak and he was very soon able to say, 'Pretty boy!', 'Your servant, sir!' and 'Hail Mary!''

'I will go in, out of this dust and heat, out of this dry glitter of vanity, out of these toilsome futilities. I will go and never return.'

Their story, which encompasses violence, revenge, love and redemption, is grippingly played out against the backdrop of the terrifying brutality of the French Revolution.

It was a time when injustice was met by a lust for vengeance, and rarely was a distinction made between the innocent and the guilty. It was published in weekly installments from April 1859 to November 1859 in Dickens's new literary periodical titled 'All the Year Round'. This novel is regarded as one of Dickens's most popular and most innovative works.